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Description
CD - Bustin' Out 1983- New Wave To New Beat Volume 31CD Import This is the third installment in veteran DJ Mike Maguire's sparkling, ongoing series chronicling the seismic developments in electronic based music through the often misrepresented 1980s. Following the post punk foragings of volume one and the follow up which captured the global groundswell of excitement as electronic music came into its own, the microscope now falls on 1983, when the fallout from the previous year's "Planet Rock" spawned
1CD - Import
This is the third installment in veteran DJ Mike Maguire's sparkling, ongoing series chronicling the seismic developments in electronic-based music through the often misrepresented 1980s. Following the post-punk foragings of volume one and the follow-up which captured the global groundswell of excitement as electronic music came into its own, the microscope now falls on 1983, when the fallout from the previous year's "Planet Rock" spawned electro-funk in tandem with the emerging hip-hop and graffiti cultures, while electronic developments started infiltrating many more stratas of new music, whether disco, punk or even mainstream.
Steering clear of the obvious route, the set kicks off with electro-punk poetess Anne Clark from Croydon, proceeding with an atmospheric mix of legendary film director-composer John Carpenter's theme to Assault On Precinct 13, before hitting New York City's boiling electro scene with Special Request's "Salsa Smurf" and later the Jonzun Crew's "We Are The Jonzun Crew," while Downtown is represented by Liquid Liquid's "Optimo." New York's clubs also massively influenced New Order, as beautifully shown on their Power, Corruption And Lies album, represented here by the grand melancholy of "Your Silent Face," while San Francisco's innovative electronic movement is represented by Twilight 22 (formed by Stevie Wonder's former synth programmer Gordon Bahary). Rather than focusing entirely on U.S. developments, the set carries on its tradition of exploring Europe's often darker use of new technology, including Belgium's Front 242 and The Neon Judgement, Denmark's Laid Back with the enigmatic electro of "White Horse," German goth-punks Xmal Deutschland, while Koto's dub of "Chinese Revenge" spotlights the burgeoning Italo disco movement.
Another standout track comes from German synth duo The Unknown Cases, fronted by legendary former Traffic percussionist Reebop Kwaku Baah on the rousing Afro-electro of "Masimba Bele." After such a potent, multi-strained hotbed, the UK's Cocteau Twins make the perfect finale with "Sugar Hiccup." 1983 was as unpredictable as it was exciting, with musical boundaries blurring all the time and club land on fire with the oddest anthems. At the time, the word buzzing around New York summed everything up: fresh. Same goes for this latest gem to appear in this wonderful series, telling the whole story in the celebratory spirit of that amazing era. Extensive sleeve notes written by legendary journalist Kris Needs. Artwork by Mike Coles (Malicious Damage).
Steering clear of the obvious route, the set kicks off with electro-punk poetess Anne Clark from Croydon, proceeding with an atmospheric mix of legendary film director-composer John Carpenter's theme to Assault On Precinct 13, before hitting New York City's boiling electro scene with Special Request's "Salsa Smurf" and later the Jonzun Crew's "We Are The Jonzun Crew," while Downtown is represented by Liquid Liquid's "Optimo." New York's clubs also massively influenced New Order, as beautifully shown on their Power, Corruption And Lies album, represented here by the grand melancholy of "Your Silent Face," while San Francisco's innovative electronic movement is represented by Twilight 22 (formed by Stevie Wonder's former synth programmer Gordon Bahary). Rather than focusing entirely on U.S. developments, the set carries on its tradition of exploring Europe's often darker use of new technology, including Belgium's Front 242 and The Neon Judgement, Denmark's Laid Back with the enigmatic electro of "White Horse," German goth-punks Xmal Deutschland, while Koto's dub of "Chinese Revenge" spotlights the burgeoning Italo disco movement.
Another standout track comes from German synth duo The Unknown Cases, fronted by legendary former Traffic percussionist Reebop Kwaku Baah on the rousing Afro-electro of "Masimba Bele." After such a potent, multi-strained hotbed, the UK's Cocteau Twins make the perfect finale with "Sugar Hiccup." 1983 was as unpredictable as it was exciting, with musical boundaries blurring all the time and club land on fire with the oddest anthems. At the time, the word buzzing around New York summed everything up: fresh. Same goes for this latest gem to appear in this wonderful series, telling the whole story in the celebratory spirit of that amazing era. Extensive sleeve notes written by legendary journalist Kris Needs. Artwork by Mike Coles (Malicious Damage).
Track Listing:
| Disc 1 | |||
| 01. | Anne Clarke | Sleeper In Metropolis | 04:07 |
| 02. | John Carpenter | The End (Sound Version) | 06:17 |
| 03. | Special Request | Salsa Smurf (Vocal Version) | 05:16 |
| 04. | Twilight 22 | Electric Kingdom (Kingdom Version) | 04:12 |
| 05. | The Neon Judgement | Fashion Party | 05:19 |
| 06. | Front 242 | Take One | 04:48 |
| 07. | The Unknown Cases | Masimbabele | 05:54 |
| 08. | New Order | Your Silent Face | 06:01 |
| 09. | Laid Back | White Horse | 05:48 |
| 10. | Koto | Chinese Revenge (Dub Version) | 06:01 |
| 11. | The Jonzun Crew | We Are The Jonzun Crew | 06:25 |
| 12. | Liquid Liquid | Optimo | 02:43 |
| 13. | Xmal Deutschland | Qual (12" Remix) | 06:42 |
| 14. | Cocteau Twins | Sugar Hiccup | 03:41 |
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Has the look that they should cost more.
Size: 11.5 Wide, Color: Dark Turquoise
Comfortable and the fit is very comfortable. Looks great and extremely comfortable. Soft and light weight. Easy to put on. Sizing was perfect and the wide width is truly a wide. I’m coming back for more colors.
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Reviewed in the United States on June 1, 2026
★★★★★ 4
Good at price
Size: 9 Wide, Color: Sand
Fit a little small at my big toe but otherwise fit well. Heel rubbed slightly first 5 hour wear but no blister.
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Reviewed in the United States on May 9, 2026
★★★★★ 5
Lightweight comfortable at a good price!
Size: 10.5, Color: Navy
These shoes are perfect. The color matches my navy outfits as well as my denim. They are comfortable and they look great. They are easy to pack lightweight and a great value.
I am extremely satisfied and highly recommend!
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Reviewed in the United States on June 3, 2026
★★★★★ 3
REALLY CUTE SHOE BUT CUT WAY TOO SMALL!
Size: 8, Color: Black Patent
I received the black patent leather shoes today and they are so cute! Sadly I need to return them because they are cut way too small. I normally wear a 7.5 or 8 on dress shoes so I ordered the 8. They are so tight across the top that it's uncomfortable as soon as I put them on. They are smaller than a normal size 8 dress shoe. The big toe area is extremely uncomfortable because it doesn't allow any room for it at all, so my big toe just presses against the side and end of the shoe without even walking in them. I have very narrow feet and these still are too small for me. So I am returning them and I already ordered a 8.5 W and hope that will fit much better. The patent leather is very cute and adds just enough dressy that I can wear them with slacks or my Capri jeans. I like the slip on and the cushion foot bed because it feels soft.
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Reviewed in the United States on May 26, 2026
★★★★★ 5
Love these flats!
Size: 9 Wide, Color: Black White Faux Snake Skin, Size: 9 Wide, Color: Black White Faux Snake Skin
One of my favorite pair of flats! I’ve had these for several years and they are still comfortable, in good shape and really add a little spice to my outfits. I can wear these all day and not have any foot pain or discomfort as a result. The quality is good, fit is perfect and I tend to have difficulty with shoes due to bunions. Love these!!
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Reviewed in the United States on May 23, 2026