DUNE GRASS & BEACH II by DENNIS FRATES a Framed Photo Art Print Matted under Glass
SKU: 47966732700

DUNE GRASS & BEACH II by DENNIS FRATES a Framed Photo Art Print Matted under Glass

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Description

DUNE GRASS & BEACH II by DENNIS FRATES a Framed Photo Art Print Matted under GlassOverview "DUNE GRASS & BEACH II" by DENNIS FRATES is a captivating coastal landscape photograph that transports you to a serene beachscape, where golden sandy dunes meet the azure embrace of the ocean. The artwork, masterfully matted and framed under glass, boasts rich textures and a warm palette that evokes the tranquil beauty of nature. Its ethereal glow and exquisite detail invite contemplation and inspiration, making it a timeless addition to any

Overview

"DUNE GRASS & BEACH II" by DENNIS FRATES is a captivating coastal landscape photograph that transports you to a serene beachscape, where golden sandy dunes meet the azure embrace of the ocean. The artwork, masterfully matted and framed under glass, boasts rich textures and a warm palette that evokes the tranquil beauty of nature. Its ethereal glow and exquisite detail invite contemplation and inspiration, making it a timeless addition to any space.

Features

  • Art Name and Artist: DUNE GRASS & BEACH II by DENNIS FRATES 
  • Inspiration: Inspired by the serene beauty of coastal dunes and the gentle waves of a tranquil sea under a clear sky. 
  • Production Artist Medium and Technique: Framed photographic art print, matted under glass. 
  • Color Hues and Shades: Features soft earth tones of golden grasses against a backdrop of cool blues and grays, creating a serene and natural coastal landscape. 
  • Room Atmosphere: Infuse tranquility into coastal-themed spaces or sunlit rooms with this serene beach scene, enhancing relaxation and natural warmth. 
  • Orientation and Dimensions: Measuring 21.5L x 1.8W x 25.5H, this rectangular artwork is designed to hang in portrait orientation using the included wall-mounting hardware. 

Specifications

  • Season: No Season
  • Total Number of Pieces Included: 1
  • Orientation: Portrait
  • Art Scale: Small
  • Subject: Landscape & Nature
  • Nature Scenes: Beach & Ocean
  • Shape: Rectangle
  • Number of Hooks: 2
  • Multi Piece Art: No
  • Title: DUNE GRASS & BEACH
  • Number of Batteries: Does Not Apply
  • Main Color: Black, Blue, Brown, Gold
  • Main Material: Wood
  • Mat Included: Yes
  • Mat Color: White
  • Framed: Yes
  • Frame Color: White
  • Reason for Restriction: Does Not Apply
  • Mercana Style - Influences: Nautical

Dimensions

  • Product Size (inches): 21.5L x 1.8W x 25.5H
  • Weight: 7.00 lbs
  • Box Size (inches): 24.5L x 6.0W x 28.5H
  • Box Weight: 12.00 lbs
  • CBM: 0.0157

Additional Resources

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SKU: 47966732700

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How to take back what the thief has stolen
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I took a long time to read this book so I could soak in and apply the principles laid out from God's Word. We have all been stolen from in some way or another, whether it has been failed relationships, finances, health, or even what we feel is our calling or destiny. The good news is that we can stand on God's Word and take back what the thief has stolen. I am still applying what I have learned to have faith that God will restore the years that the locusts have eaten
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A penetrating discussion of important books by Black authors.
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Atcho’s choice of texts is smart: each has survived many decades in print, fascinates modern readers, and probes profound and current themes. Most are well known. Each one is worth your while to read or reread. Fiction, in particular, makes the Black experience in our country accessible to others. Living inside the head of Bigger Thomas (Native Son) offers a more personal understanding than any essay can. The church has always been part of the story, and Atcho does justice to this by examining African-American literature in a theological light. He is sensitive to what each text is saying on a spiritual level, discerning the subtext and bringing it to light. Over and over, as I read his analyses, I had the experience of seeing more clearly what I had only vaguely intuited. The readings he discusses are not one-dimensional or didactic, and I found having a Virgil at my side was invaluable. This book is a gift to us all.
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I am so grateful to Claude Atcho for inextricably weaving together a spacious reformed theology with the heights and depths of great African American literature. Thanks to his gracious, nuanced, and substantive guidance, I can no longer separate the two. For example, I will no longer be able to read the Exodus account of liberation without imagining Zora Neale Hurston's "Moses, Man of the Mountain." Where the themes of great African American literature (and indeed, great theology) do not short-cut suffering, death, lament, and evil, Atcho manages to do this heavy lifting in a way that welcomes uninitiated readers like me. Our church read this book together, and I can't recommend enough that your church do the same!
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